Lucy Saggers is a British documentary photographer based in rural Yorkshire.
She is drawn to the stories of people and their landscape: exploring belonging through the impressions we leave on each other, on the land, and the marks that a place may leave on us. Informed by a background in nature conservation and rural development Lucy works to build understanding with the people she photographs, allowing natural authenticity into her portraits. Using a handheld camera and available light she reaches into shadows of the natural world or dark domestic and agricultural interiors. Lucy often works in black and white for its aesthetic and the blurring it brings between past and present.
Lucy combines commissioned and personal work for publication and exhibition.
Please do get in touch to enquire about prints, commissions, talks, workshops, collaborations or to join Lucy's mailing list for her occasional newsletter.
lucysaggers@icloud.com
07899 977199
Ford End
West End
Ampleforth
North Yorkshire YO62 4DU
________________________________________________
.
She is drawn to the stories of people and their landscape: exploring belonging through the impressions we leave on each other, on the land, and the marks that a place may leave on us. Informed by a background in nature conservation and rural development Lucy works to build understanding with the people she photographs, allowing natural authenticity into her portraits. Using a handheld camera and available light she reaches into shadows of the natural world or dark domestic and agricultural interiors. Lucy often works in black and white for its aesthetic and the blurring it brings between past and present.
Lucy combines commissioned and personal work for publication and exhibition.
Please do get in touch to enquire about prints, commissions, talks, workshops, collaborations or to join Lucy's mailing list for her occasional newsletter.
lucysaggers@icloud.com
07899 977199
Ford End
West End
Ampleforth
North Yorkshire YO62 4DU
________________________________________________
.
